The Making of yamamayu Textiles — From Plants to Textile

 →日本語で読む

— Introducing our family’s textile-making, born from nature’s cycles and handcrafted work.

Tensan silk textile and weaving image

Spinning thread, dyeing color, and weaving cloth while touching the life of the mountains—
yamamayu textiles are created in harmony with nature.

What “yamamayu” Textile-Making Means

Listening to materials within nature’s cycles

At yamamayu, we value textile-making that begins with raising domesticated silkworms and wild silkworms (tensan).
Although we can’t produce every single thread in-house yet, every material we use is carefully selected by eye and hand.
Within the intersection of nature’s cycles and the time of handwork, we weave only what is needed, with care.

From Plants to Textile: How yamamayu Textiles Are Made

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STEP 1: Cocoons & Thread

— Facing the “thread of life” —

Domesticated silkworm cocoons
Domesticated & Wild Silkworms

Domesticated silkworms feed on mulberry; wild tensan feed on sawtooth oak. Their different habitats yield distinct hand-feel and color radiance in the thread.
Spread mawata (silk floss) before hand-spinning
What is Floss silk (Mawata)?

After removing the pupa from the cocoon, the shell is gently opened and spread into a fluffy sheet. It is then hand-spun into thread.
Lustrous tensan silk thread
About Our Thread

By varying twist, thickness, and strength, the textile gains diverse expressions.

STEP 2: Dyeing & Spinning

— Color is the layering of memory and time —

Naturally dyed, fluffy silk floss
Plant Dyes

Indigo, marigold, mugwort, plum, amur cork tree… receiving the colors of the seasons.
Low-impact chemical dyeing: dyeing reeled silk
Chemical Dyes

We carefully choose lower-impact dyes to balance vivid color with fastness.
Hand-spun silk floss thread
How to Spin Yarn from Mawata (silk floss) ➔

We spin from floss in small amounts—only as much as needed.

STEP 3: Weaving

— The rhythm of sound and hands forms the textile —

Warping: setting each warp thread
Warping

Each thread is set carefully, exactly as designed.
Restoring and maintaining old power looms
Origins of Our Weaving

We rely on handlooms without electricity and restore old power looms to use them for years to come.
Handloom with shuttles and reed in use
Handlooms ➔

Toward sustainable creation for the future.

→ “Workshop Experience & Booking (Hachioji / Yamanashi)”

Our Ongoing Efforts for the Future

Composting cycle of spent dye plants and pupae
Circularity ➔

Pupae and spent dye plants become compost.


Tying leftover threads into 'Mottainai Art'
Reuse ➔

Leftover threads are tied into “Mottainai Art.”
Foot-powered loom: a zero-electricity tool
Tools ➔

Foot-powered looms use no electricity; old machines are repaired and kept in use.
Nature education and silk floss work in the satoyama
Community ➔

Nature programs for schools and children; silk-floss work opportunities for seniors.

→ Learn more about our Circularity, Reuse, Tools, and Community initiatives

Where yamamayu Textiles Are Born

Our weaving studio in the satoyama of Yamanashi

Our studio is nestled in the satoyama (foothill countryside) of Yamanashi.
Amid distinct seasons, we make textiles with the flow of wind, light, and water.
Inheriting a weaving lineage that began in the Meiji era, we create textiles that reflect today’s life and the nature around us.

→ Learn more about Yamamayu Studio

Forms of Making, Rooted in Small Records

Indigo dyeing and shibori at yamamayu

Throughout our days of turning cocoons into thread and then into textiles, we pause to reflect and to listen to materials.
In “yamamayu Daily,” we write about behind-the-scenes making, dialogues with materials, small discoveries, and life in the satoyama.

→ Read the Studio Journal

See yamamayu Textiles

yamamayu textile collection

Explore yamamayu textiles born from inherited skills and carefully chosen materials.

→Shop on our Online Store (BASE)

HomeFrom Plants to Textile